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  1. The opposite of a Picardy third is when a piece of music, which is typically in a minor key, unexpectedly resolves to a major chord instead of the expected minor chord. This unexpected resolution is sometimes referred to as a “reverse Picardy third.” 

    For example, if a piece of music is in A minor and ends on an A major chord instead of an A minor chord, it creates a surprising and uplifting effect, contrasting with the typically melancholic or dark mood associated with minor keys. This effect is somewhat analogous to the Picardy third in reverse, where a minor chord resolves unexpectedly to a major chord instead of the other way around.

  2. The opposite of a Picardy third is typically referred to as a “Picardy second.” While a Picardy third involves ending a piece of music in a major key when it has been predominantly in a minor key, a Picardy second involves ending a piece in a minor key when it has been predominantly in a major key. 

    In musical terminology, a Picardy second occurs when a composition that is in a minor key ends on a major chord instead of a minor chord, providing an unexpected shift in tonality at the conclusion of the piece. This effect can add a sense of surprise or resolution to the music, contrasting with the usual minor key melancholy.

  3. The opposite of a Picardy third is often referred to as a “reverse Picardy third.” While a Picardy third involves ending a piece of music in a major key when it has predominantly been in a minor key, a reverse Picardy third would involve ending a piece of music in a minor key when it has predominantly been in a major key. This term is less commonly used than “Picardy third” itself, but it effectively describes the contrasting effect in musical harmony where the listener might expect a major resolution but gets a minor one instead.

  4. The opposite of a Picardy third is sometimes referred to as a “reverse Picardy third” or simply a “minor Picardy third.” In a traditional Picardy third, a piece of music in a minor key resolves to a major chord at the end of a phrase or piece. Conversely, a reverse Picardy third would involve a piece in a major key resolving to a minor chord instead of the expected major chord. This creates a contrasting effect where the resolution is unexpected and may add a sense of melancholy or ambiguity to the musical phrase or composition.

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