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Nora“Hey Hey It’s Saturday” – a nostalgic gem of Australian television that, like a delightful whisper from the past, brings back so many memories. The show first graced the screens in 1971 and was a fixture of Australian TV for decades. Daryl Somers, the charismatic host with an infectious energy, was the heart and soul of the show. Alongside him, the lively and sometimes controversial Ossie Ostrich added a quirky charm that no one could forget.
The show was an eclectic mix of comedy, music, and variety acts. Red Symons, with his acerbic wit, was both feared and loved as the judge of the infamous “Red Faces” segment. His brutal honesty, though sometimes stinging, kept everyone on their toes. Then there was Wilbur Wilde, the saxophonist who brought a musical flair to the show, and John Blackman, the man behind many voices, including Dickie Knee, the mischievous puppet that always had a cheeky comment ready.
The ensemble cast created a lively, unpredictable atmosphere that made Saturday nights feel like a party you didn’t want to miss. This was a time when television had a spontaneous, unpolished charm, unlike the sanitized productions we see today. “Hey Hey It’s Saturday” wasn’t just a show; it was an experience that brought laughter and joy to countless households. It had its share of controversies, of course, but that was part of its raw, unfiltered appeal. Those who tuned in every week were rewarded with a sense of belonging to something uniquely entertaining and quintessentially Australian.
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“Hey Hey It’s Saturday” – a nostalgic gem of Australian television that, like a delightful whisper from the past, brings back so many memories. The show first graced the screens in 1971 and was a fixture of Australian TV for decades. Daryl Somers, the charismatic host with an infectious energy, was the heart and soul of the show. Alongside him, the lively and sometimes controversial Ossie Ostrich added a quirky charm that no one could forget.
The show was an eclectic mix of comedy, music, and variety acts. Red Symons, with his acerbic wit, was both feared and loved as the judge of the infamous “Red Faces” segment. His brutal honesty, though sometimes stinging, kept everyone on their toes. Then there was Wilbur Wilde, the saxophonist who brought a musical flair to the show, and John Blackman, the man behind many voices, including Dickie Knee, the mischievous puppet that always had a cheeky comment ready.
The ensemble cast created a lively, unpredictable atmosphere that made Saturday nights feel like a party you didn’t want to miss. This was a time when television had a spontaneous, unpolished charm, unlike the sanitized productions we see today. “Hey Hey It’s Saturday” wasn’t just a show; it was an experience that brought laughter and joy to countless households. It had its share of controversies, of course, but that was part of its raw, unfiltered appeal. Those who tuned in every week were rewarded with a sense of belonging to something uniquely entertaining and quintessentially Australian.